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Rana Begum - New works: No.207
Rezia Wahid's New Exhibition: Woven
Air
Sarah Sayeed Launches new Single: Black
IS
British-Bangladeshi
production at London Film Festival The Last Thakur
Musicians Zoe and Idris Rahman's
new album Where River Meets
Shahin Badar's long
awaited album 'LAILA'
Brands are the key to Bangladesh’s Opportunity
of a Lifetime
Mass e Bhat: 70 minute documentary treatment
The Battle of Plassey Young
People’s Project
Bangladesh Visit in February
by Dr Wali Tasar
Bangladesh Flood Fundraiser
Event Raises £5000
Shahin Badar 'Glory
of India Award Winner'
Girls Orphanage
BritBangla Fundraiser Update
BRAC: brings
third world development successes to UK
The Women Who Left the Village
Inspirations Exhibition
The Beauty of Bangladesh Personal
account by Ishrat-Jahan Chowdhury
Shahin Badar Tours Lebanon and
Germany
BritBangla Celebrates Book Success
Bangladesh
Opens its doors to UK Investors
Rana
Begum - New works: No.207
Rana Begum will be showcasing her work from 5 February - 02 March
2010 at 29 Catherine Place, Westminster, London SW1E.
Initiated during her residency in Beirut, No.207 (2010) vigorously
pursues the artistic potency of line and colour; whilst exploring
the possibility of reducing complex elements to their vital parts.
Extracting banal hardware from its utilitarian context, Begum limited
her materials to commercially available drinking straws, in five
standard colours (fluorescent green, yellow, pink, orange and black).
Composed entirely of glowing lines, the resulting modular superstructure
demonstrates the generative potential of Begum’s systematic application
of the limited vocabulary of commercially available fluorescent
materials.
No.207 is rooted in Rana’s observation of the urban milieu, the
aesthetic possibilities of the city and the implications of architectural
modernism. Renewing her commitment to serial and rational forms
and their subsequent emphasis of phenomenological strategies, Rana’s
work sets out to transform the overpowering associations of urban
debasement into poetic entities: No.207’s fluorescent colours evoke
Beirut’s buzzing night scene, and the convoluted modular shapes
recall the chaotic maze of a metropolis.
Dealing with architectural propositions as much as with the formal
possibilities of Minimalism, No.207 is an attempt to condense the
urban experience to its most significant elements, to abstract analogous
visual stimuli and subsequently articulate them into concrete forms
and lights. Feeding on the architecture of a space, cutting lines
across and reorganising it according to abstract cartographies,
No.207 draws powerful associations between culture, architecture
and design, and reinvents our relationship to artificial spaces.
Rana Begum (b. 1977) graduated from the Slade with a MFA in Painting.
She has exhibited her work internationally including Jerwood Space
(London), The City Gallery (Leicester), BU Gallery (Bangkok) &
The Third Line (Dubai), and has a forthcoming solo show at Bischoff/Weiss
(London). Rana has recently completed a Delfina Foundation residency
in Beirut, Lebanon.
Artist Talk: Rana Begum in conversation with Charles Danby 17 February
2010, 19:00 - 20:00
Charles Danby is a writer and curator based in London. He is a co-founder
of PROJECKT, a curatorial research partnership that considers new
media technologies through broadcast and live event. He is a guest
curator at the Siobhan Davies Studios, London, and is the 2010 curator
at Vestfossen Kunstlaboratorium in Norway. Charles has written for
international arts publications including Flash Art, Frieze, Art
Issue and Art Review.
Limited seats available, early rsvp essential: rsvp@delfinafoundation.com
Website: http://www.ranabegum.com
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Award
Winning British Bangladeshi Textile Maker Rezia Wahid MBE Offers
a Unique Insight into Islamic Spirituality in New Exhibition Woven
Air
Award winning British Bangladeshi Textile Maker Rezia Wahid MBE
showcases her exhibition of silk hangings WOVEN AIR from 19th September-31st
October at The City Gallery, Leicester in collaboration with the
national crafts project The Shape of Things (TSOT) and the Crafts
Study Centre. TSOT focuses on issues of cultural identity in contemporary
crafts practice and aims to encourage a more diverse market and
audience that is representative of the society we live in today.
The phrase 'Woven Air' is derived from the word 'Baf-Thana' in Bengali
and Wahid uses it to describe her work, with an emphasis on air,
reflective calm, peace and tranquillity. Drawing on a wide range
of influences from the spirituality of Islam and associated art
and architecture; history; an English upbringing and worldwide travels;
Wahid is able to communicate cultural, religious, social and political
history through her craft.
In her weaving, Wahid draws on the rich historic 'jamdhani' technique
from Bangladesh, which produces the finest muslin in the world.
Using the technique, Wahid dyes her own colours using both natural
and chemical dyes and is able to inlay motifs such as leaf patterns
into the main cloth. Her emphasis on light and transparency can
be interpreted both as an attempt to express, and as a yearning
for 'divine light and wisdom' - a crucial theme in all disciplines
of traditional and modern Islamic Art. Her other sources of inspiration
come from Nature, Japanese Kasuri , Egyptian cottons, Chinese silk,
English merino wool and Japanese yarns.
"When I am weaving and at work I feel very spiritual and close
to God. I purposely leave unfinished edges in order to keep the
cloths free and 'dancing' in the air. Thus, traditional cloths juxtapose
their original meaning and become a contemporary artform. People
can feel peace and tranquillity as well as feel inspired to wear,
feel, touch and dance with the cloths! In this way I hope that my
work can help build a bridge between crafts and contemporary art."
Wahid attended the Chelsea College of Art and Design from 1994-1995
and was awarded a first class degree from Surrey Institute of Art
and Design in 1998. She went onto teach Art, Design and Textiles
at Warwick School for Boys from 2001-2008 encouraging boys to break
the gender stereotypes connected with females and their long associated
link with textiles. She took up post at the new co-educational school
Fredrick Bremer School in Sep 2008 and was awarded an MBE in 2005
for her services to the textiles industry.
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Sarah Sayeed
launched her new Single Black IS
Singer, MC and lyricist Sarah Sayeed has launched her new single,
Black IS… from her forthcoming debut album. Emerging talent Sarah
Sayeed was first recognised by the music industry when her music
was featured on the Homegrown podcast presented by Ras Kwame on
BBC 1Xtra. BBC Radio 1 DJ, Bobby Friction (Future Friction) also
described her "as a 360° conscious artist".
Having toured the UK, Europe and the US over the last five years,
Sarah Sayeed has developed her skills as a live performer. She has
also spent quality time in the studio working with unique producers
from London, Manchester, San Francisco and Toronto. Sarah Sayeed
continues to develop as an international artist as she is currently
working on the Sydney Hip Hop Theatre Festival in Australia.
Sarah Sayeed was born in East London with some of her childhood
years in Bangladesh and spending most of her 20's in Manchester.
She came back to her London roots a few years ago to launch her
music. Over the years, Sarah Sayeeds' ears have tuned into many
artists that have influenced her, including Roxanne Shante, Tribe
Called Quest, Blondie, Marvin Gaye and Madonna.
The wealth of Sarah Sayeeds' experiences have been beautifully
captured in her thought provoking lyrics, smooth singing vocals
and articulately fired MC skills.
When Sarah Sayeed performs live, her music combines beats and samples,
strings and brass instruments, culminating into a sound that has
a universal appeal. This press launch is an opportunity to see and
hear Sarah Sayeed perform live as well as learn more about the artist
and her work.
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Artificial
Eye Secure World Premiere at The Times 52nd BFI London Film Festival
with First Production - The Last Thakur
The much awaited The Last Thakur is set to have its world premiere
at the London Film Festival on 25 October 2008 at the National Film
Theatre (NFT1). This first HD feature shot wholly in Bangladesh
and featuring Tariq Anam (Thakur), Ahmed Rubel (Chairman), Tanveer
Hassan (Kala), Anisur Rahman Milon (Tanju), Jayanto Chattopadyahay
(Mustafa) the biggest names in Bangladeshi film, and television.
The film is also the first ever British-Bangladeshi production
selected to the London Film Festival.
A modern-day Western set in a Bengali village; a story of revenge
and the search for personal identity. The village Chairman has his
election victory tainted by the arrival of a stranger with a gun.
When the stranger sides with the Chairman's arch nemesis: Thakur,
bullets fly in the sleepy backwater village. It soon becomes apparent
that the stranger has his own motives for revenge.
Sadik Ahmed directs (making his feature debut) and Atif Ghani from
Aimimage and Tamsin Lyons from BreakThru Films Produce, music composed
by Kishon Khan and Birgir Clausen. Philip Knatchbull from Artificial
Eye and Nik Powell from the NFTS are Executives on the productions.
The film draws on a solid British-Asian talent pool, drawing on
strong UK and Bangladesh production resources. The film could not
have come together without the key facilitation of Bangladesh Production
Consultant Ms. Runi Khan. Bangladesh advertising agency Adcomm through
Screaming Girl Productions enabled the UK-base production to draw
on the untapped talent pool in Bangladesh.
Writer/Director Sadik Ahmed is a British Filmmaker of Bangladeshi
origin based in the UK. Sadik's film Tanju Miah, a short film about
a young tea boy living on the Sarail Road, was an international
success with awards from the Royal Television Society, the Grierson
Foundation for British Film (Finalist), Turner Classic Shorts (Finalist),
MySpace-Mymovie Mash-Up (Finalist). Tanju Miah was specifically
selected for screening at the Toronto International Film Festival
2006. The film was also the first ever Bangladeshi film in competition
at the Sundance Film Festival in January 2007. Tanju Miah was screened
in the Curzon Cinemas UK, March to April 2007.
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Musicians
Zoe and Idris Rahman Discover their Heritage Through Bengali Music
and New Album - Where Rivers Meet
Drawn to the Bengali heritage of their father, Mercury Music Prize
Nominee Zoe Rahman (jazz pianist) and Idris Rahman (clarinet) began
listening to Bengali folk, film and popular music from the 1950s
which opened up an undiscovered world of beautiful melodies, poetic
vocals and gentle rhythms. Mesmorised by the sounds, the brother
and sister duo created the album WHERE RIVERS MEET and combined
their talents in a unique way to create jazz-inspired interpretations
of Bengali music including songs inspired by Nobel Laureate Rabindrath
Tagore; Abbasudddin and Hementa Kumar Mukerjee amongst others. Featuring
the exciting vocal star Arnob from Bangladesh concerts will take
place on Saturday 1st November at the CBSO, Birmingham and Tuesday
4th November at the Purcell Room, Queen Elizabeth Hall, South Bank,
London followed by a UK-wide tour.
Born in Chichester, UK, Zoe studied music at Oxford University
and jazz performance at Berklee College of Music, Boston. Zoe and
Idris were inspired by the idea for the album when their father
Mizan Rahman was ill in hospital. Transferring some old music from
cassettes onto a CD, Zoe became intrigued by the sounds and subsequent
trips to Bangladesh allowed Zoe to learn about her background through
music. She says of the experience:
“We wanted to learn about our family heritage by delving into this
rich musical source and hope that in the process the songs will
be seen in a new light by those who already know them. Perhaps they
will take others on a journey of discovery similar to the one we
have experienced through making this album”
Father Mizan Rahman says "I have been inspired and amazed at
the music Zoe and Idris have created. The reaction from Bengali
audiences on a recent British Council-sponsored tour to the subcontinent
was ecstatic. The tracks are well-known tunes and well-loved lyrics
and the audiences reacted to the jazz-inspired music with enthusiasm.
The album is also very accessible to non-Bengali British audiences
also.”
Brother Idris Rahman says “This album represents a very personal
journey that Zoe and I have taken into our own culture through music
directly taught or recommended by our father, cousins and other
close friends and musicians. In doing this we have learnt more about
our father's background and our Bengali roots and feel a little
closer to a culture that we weren't surrounded by when we were growing
up… we hope to continue to explore the wealth of artistic achievement
that is waiting to be discovered in our father's country.”
Guest singer, Bengali star Arnob adds breath-taking resonance to
songs ‘Amar har kala korlam’ (Betrayed) and ‘Anondo dhara’ (Stream
Of Joy)and other musicians include Kuljit Bhamra (Percussion); Oli
Hayhurst (Double Bass); Gene Calderazzo (Drums) and Samy Bishai
(Violin).

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Long
Awaited Album 'Laial' by the Chant Legend Shahin Badar!
Award winning and leading British Asian vocalist
Shahin Badar releases her debut solo album Laila and returns to
the music scene for the first time in nearly two years.

Laila features a blend of Arabic, English and Indian influences
that showcases a talent that lead to collaborations with the likes
of AR Rahman, Jah Wobble, Twista and Juliet Lewis. It is a strong
offering of 18 solid cuts, which are edgy, tripping and hypnotic
beats and chants. No dance floor is likely to be empty when tracks
like Doleh Reh from Mercury nominated Choque Hosein, Jhoom Jhoom,
Laila, and Andheri Raai hit the decks.
Shahin is best known for the Prodigy’s Smack My Bitch Up which
featured her spine tingling chant on their multi million selling
Fat Of The Land album giving them and Shahin Billboard and UK No.
1 chart positions and entry into the Guinness Book of Records as
the fastest selling album at the time. For this she received a double
platinum disc and a place in music history. Shahin featured on two
further Prodigy albums that enjoyed UK number 1 chart positions.
She has worked with dance maestro Tim Deluxe on the single Mundaya,
which was chosen as an ‘Essential tune of the week’ by BBC Radio
1 DJ Pete Tong.
Shahin’s distinctive vocals have also featured in over 30 Hollywood
and Bollywood films including Academy nominated Closer and Charlie’s
Angels, US sitcoms North Shore and Kevin Hill and Shyam Bengal’s
Zubeidaa. Shahin supported leading US rapper 50 Cent when his tour
took in Lebanon with award winning producer Guy Manoukian at The
Biel, in front of a 20 thousand strong audience followed by an invitation
to perform with chart topping Turkish artist Mercan Dede in Germany.
Shahin has already won Best Female Vocalist at the Asian Pop Awards;
nominations for Ethnic Multicultural Media Award - Best New Comer;
Asian Women of Achievement Awards - Arts & Culture; Muslim News
Alhamra Award for Excellence and Channel 5’s prestigious Community
Award – Glory of India thereby establishing Shahin as one of the
most outstanding female Asian vocalists in the UK dance and British
Asian music scene.
Release Date: 13th October
Label: ShahinBadar Records through Imprint Records
Distribution: Cargo
Price: £12.99
Available in all good stores! you can purchase your own personal
copy from www.play.com for £8.99
(Free dlivery)
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Brands
are the key to Bangladesh’s Opportunity of a Lifetime
Toffael Rashid
In 2002 the acronym BRIC entered into financial and corporate language.
Reputed investment bank Goldman Sachs had analyzed developing economies
and identified Brazil (B), Russia (R), India (I) and China (C) as
4 countries that should receive focused investment as they were
on the verge of explosive growth. At the time I was living and working
as an expatriate in Mumbai for my then employer Unilever. Being
British born and thus growing up in a very developed consumer economy,
I was used to a very different way of life. Mumbai still had one
foot in the past although the many signs of India’s dynamic growth
story were very much in evidence.
The most vivid example of explosive growth I remember came from
my daily listening of the car radio on the way to work. In 2002,
India’s radio service was state owned, in Mumbai there were only
2 radio stations which broadcasted through medium wave and with
a very limited menu of news and debates. Radio played a miniscule
role in society and those who even owned one had very old machines
capable only of broadcasting medium and long wave. Music was not
played nor was their any radio advertising. And this in the city
that hosts Bollywood with all its music and artists!
In 2002 the government privatized the radio industry. Six new FM
radio stations were launched with great brand names like Radio Mirchi.
Each of these stations was targeted at particular demographic and
filled with music, phone-ins, radio drama and sports coverage. Suddenly
everybody wanted to listen to the radio. Some very smart entrepreneurs
imported laks of those slim credit card like radio receivers each
with a small ear piece. In the space of a few days these small devices
costing 100 rupee’s each were being used by everybody in the city:
be they students, corporate execs, auto rickshaw drivers or fresh
fruit market wallahs.
And so life as it had once been lived changed in a small but significant
way. Today the industry is thriving employing many trained people
who produce radio channels of high quality and which is part funded
by radio advertising; a profitable industry built from scratch in
less than 5 years.
The India growth story has of hundreds of examples similar to my
radio example. Two factors keep its economy growing. The first is
the mass migration of rural people into urban environments at a
rate never experienced before in the history of the planet. As tens
of millions of new people arrive with the ambition of a better life,
working people already in the cities upgrade to the middle classes
with more income than ever before to spend on consumer goods that
better their lives in some way.
This ancient and historic nation is being utterly transformed by
the proven model of capitalism. As new sectors emerge, many new
brands are launched. Consumers in India have never had so much choice.
And no matter whether it is from a multinational or a local company,
it is through brands that consumers are making their choices.
With the BRIC economies fully set on the road for transformation,
Goldman Sachs sought to identify the next developing markets ripe
for growth. After applying rigorous criteria, 11 nations were identified,
the so called ‘next 11’ or N11 nations. These include countries
such as Iran, Mexico, Vietnam, Indonesia … and Bangladesh.
Bangladesh was identified as an N11 for many attractive reasons
including its young, dynamic entrepreneurial and cost competitive
labour force, opportunities to replicate its successful garments/textiles
business model to other industries such as outsourcing and pharmaceuticals,
having an investor friendly regulatory environment as well as the
large natural resources in natural gas and coal. Last but not least,
it occupies a strategic location between India and China in the
heart of Asia. And so a golden opportunity awaits.
The transformational stories emerging from China & India indicate
that if replicated, Bangladesh has as much economic potential. With
Goldman Sachs ‘N11’ recommendations ringing in their ears, multinational
corporations, investment speculators and public sector NGOs are
analyzing the opportunities Bangladesh presents. It is literally
a once in a lifetime opportunity; possibly the historic catalyst
Bangladesh has been waiting for since its birth. And it’s finding
plenty to get excited about. So all the possibility of a future
full of promise.
However, there is a big danger that unless Bangladeshi entrepreneurs
recognise this opportunity quickly, foreign outfits will steal the
market place … and those profits forever! The key question for Bangladeshi’s
is to ensure they benefit from the potential economic boom that
‘N11’ nation status investment will provide.
The Bangladesh Brand Forum was created in 2006 with a belief that
the principles of marketing & branding should be a critical
tool for societal upgradation. The legacy of our barter economy
is that in pursuit of the lowest possible price, quality was always
sacrificed and so across society, we are left with sub standard
choices. At their most basic level, brands are shorthand for a promised
level of quality, a ‘seal of authenticity’ for the particular range
of benefits that a company will offer. If applied across the entirety
of the economy and civic infrastructure it will, in one stroke raise
our standards forever.
Our next step must involve the creation and maintenance of Bangladeshi
inspired brands. Aside from telco, banking and basic household consumer
goods, almost every sector has huge potential to create brands which
offer consumer targeted benefits. These new brands must delight
Bangladeshi’s who will treasure them as unique and wonderful manifestations
of their national culture, feel a genuine emotional connection whenever
they use or interact with these brands.
There are already some promising candidates: the likes of Grameen,
Aarong and Praan have great potential. But there are also many other
opportunities: I think Halim is a wonderful snack that people around
the world are waiting to discover, I think its greedy that only
Bengali’s know about the amazing flavor of Hilsha fish, the jute
industry could be reinvented with innovative inventions given the
global issue with plastic bags, the Sundabans & the world longest
sea beach starting at Cox’s Baazar are destinations tourists are
just waiting to discover … and there are so many more examples.
If any or many of these opportunities were realized and the brands
became international, the reputation and branding of Bangladesh
would also dramatically change for the better.
Powerful brands are very good for the economy because of their
wealth spreading ability. Research reveals that companies with big
brands tend to generate anywhere between 2 ½ and 3 times
as many jobs as actually appear on their payroll. As they expand,
they hire more people and that increases the service businesses
around them. They need more suppliers, they sell more precuts, the
retail businesses do better, everybody pays more taxes, they hire
more people, and so it goes on. When countries have less strong
brands like Bangladesh, it does not get that effect.
It is these issues that we will be debating at length at the Bangladesh
Brand Forum 2008. We believe that despite the temporary period of
political uncertainty that we find ourselves, we are at a historic
juncture in time. And those brave enough to grasp the opportunity
through the principles of brand building will take first mover advantage.
The train is about to set off …. Do you have the foresight and bravery
to get on board?
The BANGLADESH BRAND FORUM 2008 took place at the Radisson Hotel
on 26/27 April 2008. Website: www.BangladeshBrandForum.com
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Mass
e Bhat: 70 minute documentary treatment
Since 2005, Hannan Majid and Richard York, working as The Rainbow
Collective have been producing socially conscious documentaries,
in the UK, South Africa, Iraq and Bangladesh, training young aspiring
film-makers and distributing films through conventional means as
well as through alternative platforms, such as in schools, teachers
conferences and charity events with groups including Amnesty International
and The Railway Children. Formed as a Social Enterprise and a Community
Interest Company (C.I.C.), The Rainbow Collective has made it a
priority to ensure that all its documentaries should be seen and
distributed not only as traditional films, but as tools to be used
in education, campaigning and the furthering of community cohesion.
Likewise, Its privately commissioned pieces for charities, NGOs
and educational/governmental organisations should be made as personal,
creative and cinematic films, in addition to serving their original,
practical purpose.
Due to its subject matter and vignette-based, modular structure,
Mass e Bhat is ideally suited to be distributed not only through
conventional channels, but as an educational tool, a series of fund/awareness
raising films and in the production itself, a way of building partnerships
and identifying work still needing to be done in the areas of children's
rights, child labour and the alleviation of poverty in the sub-continent.
Bangladesh, 2008. From textile factories populated with child workers
to the high-rise apartments of the noveau riche, from the idyllic
rural heartlands to the rickshaw drivers of Dhaka city centre and
their children, from the displaced and stigmatised Bihari people
to the mystery of a disappearing mountain, "Masse Batte"
paints a portrait of a country coming to terms with its status as
a "developing nation". Through a series of interconnecting
vignettes portraying real people and their everyday lives, the audience
is introduced to the challenges, the dreams and the realities of
a country forced to question the true meaning of development and
its place in the wider world.
The true focus of Mass e Bhat is on the youth of Bangladesh and
their potential for the future. Despite showing many of the positive
aspects of Bangladeshi society, for example, the highest number
of natural gas powered vehicles in any country in the world, the
retaining of much traditional, sustainable culture in the villages,
the most tolerant and forward thinking form of Islam to be found
anywhere in the east, and so on, the film also presents some stark
and harrowing stories of a neglected generation of children who
hold the keys to Bangladesh's future but are unable to realise their
potential due to poverty and inequality. Why do multitudinous schools
stand empty while the children of the displaced Bihari people play
in the polluted waters and rubbish strewn streets in the slums of
chittagong? How can the country truly develop when the average child
foregoes education, being expected and required to work for 2 pounds
per week in order to support their parents and siblings?
What of the communities of children, building independent communities
in the vast landfill rubbish tips, with no hope or achieving the
prizes offered by Bangladesh's new economic development? We meet
a rickshaw driver who's son is severely mentally handicapped but
has been told that the government can only help and provide a wheelchair
once the child is "A bit older".
Each of these aspects of Bangladeshi society are portrayed through
a series of about 12 personal, intimate stories, avoiding third-person
narration and allowing the people to speak for themselves and to
tell their own stories in their own words. A combination of beautiful
imagery and hard-hitting reality will accurately portray the contradictions
and confusions of a country striving for change and improvement.
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The
Battle of Plassey Young People’s Project
Brick Lane Circle has received a grant of £46,000 from the
Heritage Lottery Fund (HLF) to engage a group of young people (18-25)
to explore East London’s historical links with Bengal through researching
and writing about the area’s East India Company sites.
The project idea emerged out of the series of events that Brick
Lane Circle organized in June 2007 to commemorate the 250 Years
Anniversary of the Battle of Plassey (23 June 1757), when the British
achieved victory in Bengal under Robert Clive. It was also the beginning
of the British Indian Empire, under the banner of the English East
India Company. The research findings will be put together in a publication,
which will be launched during October 2008 Black History Month at
a specially organized event at the Museum in Docklands. An exhibition
illustrating the work of the young people, historical paintings
and photographs and important documents will accompany the publication.
The work of the young people will be made electronically available
and an education pack will be developed.
The young people will undertake research on a number of East India
Company sites in East London, an area dotted with important locations
and buildings that have historical links with Bengal. It is also
the home of the largest concentration of Bangladeshi people in the
UK. The 250 Years anniversary events of the British conquest of
Bengal (organized by Brick Lane Circle during June 2007) provided
a focus for generating interest in learning about the shared heritage
of East London. The young researchers will be primarily recruited
from the London Borough of Tower Hamlets and given workshops, guided
tours, mentoring support and assistance in writing their chapters.
These activities will help familiarise participants about important
East India Company sites and their historical links with Bengal
and provide guidance on the sources of information.
The East India Company first traded with the East and then conquered
vast areas and ancient civilizations for Britain. It played a very
important role in the British economic and imperial history for
250 years, starting from 1600 when the company was first chartered
by Queen Elizabeth I. The successes and benefits that the Company
achieved for Britain also had devastating consequences for India
and Bengal in particular. This project will bring this shared history
to light and generate interest widely through exploring and sharing
knowledge about East India Company sites in East London .
It is envisaged that by becoming familiar with East India company
locations and sites and their historical roles, the diverse communities
in East London will develop a greater sense of connectivity and
linked roots. This will increase the levels of interest on local
heritage; enable more people to develop deeper intellectual, creative
and leisure interactions with the area's past and help improve community
cohesion.
The information generated and disseminated will result in a renewed
level of interest on the heritage of East London, especially among
the local Bangladeshi population, which means that there will be
an increase in the level of desire to discover, preserve and publicise
the importance of local heritage. More local people will understand
and appreciate the value of many buildings and sites that they see
every day around them - which previously had very little relevance
to their life - and develop a deeper historical and worldwide perspective
of their neighbourhoods.
The project will help diverse groups who live in the area to develop
a greater level of understanding about how their neighbourhoods
and surrounding areas are connected and the historical and local
heritage sites will provide the anchor for such connections. This
will enable people to develop a deeper appreciation of their shared
and historically linked roots and thereby enhance the scope of celebrating
both local heritage and the valuing of diversity.
Open Day, Sunday 1 June '08, 2 - 5pm, Whitechapel Idea Store
The event will look at the scope of The Battle of Plassey Young
People’s Project; local East India company sites and researching
about the area’s past links with Bengal. It will include presentations
by Nick Robbins (author of The Corporation that Changed the World:
How the East India Company Shaped the Modern Multinational) and
Dr Georgie Wemyss, who teaches Social Anthropology and South Asian
Studies at Tower Hamlets College and is a visiting research fellow
at Goldsmiths College
The Battle of Plassey Conference, Sunday 22 June '08, Whitechapel
Idea Store. Further details will be provided in due course.
The Mayor of Tower Hamlets, Cllr Ann Jackson, said that she is delighted
to hear the news and will personally support the project.
Nick Robins (author of The Corporation that Changed the World:
How the East India Company Shaped the Modern Multinational) said
"“This is an excellent project which will bring to life the
East India Company’s legacy in London”.
Head of the Heritage Lottery Fund, London, Sue Bowers said: “This
project will bring to light a history shared by Britain and India
over hundreds of years by relating it directly to sites associated
with the East India company in London. While researching, the young
people will also gain skills in writing, photography, planning and
team working.”
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Bangladesh
Visit in February by Dr Wali Tasar Uddin MBE, DLitt, JP, Hon Consul
General of Bangladesh in Scotland (19 February - 4 March)
Dr Wali, BritBangla Honorary Member visits Bangladesh this month.
"When I came to the UK I had nothing. I started at the bottom
and worked my way up through commitment, dedication, hard work and
practical study. I know about all the aspects of my business from
the kitchens to the accounts to marketing. I believe that it's vital
to give something back
to support the community and encourage the next generation of entrepreneurs."
states Dr Wali.
Dr Wali Tasar Uddin MBE, DLitt, JP, Hon Consul General of Bangladesh
in Scotland will be spending the last 2 weeks of February in Bangladesh,
on governmental, cultural and charitable business. His packed itinerary
includes meetings in Dhaka, Sylhet, Moulvibazr and Barguna District.
He will be visiting areas affected by the devastating Cyclone Sidr
(with Farah Kabir of Action Aid Group) to gather information about
relief work and interviewing victims in advance of a major fundraising
event in Scotland on 4th April.
The aims of the visit also include developing a proposed twinning
arrangement between the City of Edinburgh and Sylhet and investigating
possible partnership links with Edinburgh's Napier University and
Heriot Watt University (both of which recently awarded Dr Uddin
Honorary degrees) and the Universities and Colleges of Bangladesh,
particularly to investigate the potential for training and educational
initiatives for individuals specially from ICT, Business Managements,
Textiles & Apparels, Hospitality And Nursing Training.
Dr Uddin's flagship business is the award winning Britannia Spice
Restaurant (recent recipient of a special presentation by the British
Curry Awards to mark the restaurant's unique achievement in winning
the Best in Scotland Award for an unprecedented 3 years in a row;
an occasion which was marked by an official motion of congratulations
by the Scottish Parliament) and he is involved in the campaign to
challenge the British government on recent changes in immigration
laws which make it harder for UK restaurants to bring in experienced
Bangladeshi chefs. On Sat 1st March he will be Chief Guest at the
University Campus Social Development Centre (CSDC) of Dhaka inaugural
Certificate Giving Ceremony for the Apprenticeship Programme for
students and youths.
Dr Uddin will also meet with representatives from Bangladesh's
garment and textile industry and the British High Commissioner to
discuss development of training and trade opportunities between
Bangladesh and UK, as well as representatives from the Bangla Scot
Foundation, set up to develop cultural links between Bangladesh
and Scotland.
He will be accompanied by a UK Cyclone Sidr Fact Finding team:
Mr Enam Ali ACHIMA, FRSA (Editor, Spice Business Magazine), Mr Arjun
Miah MBE (member of the BBCC), Mr Athair Khan (Managing Director
of the Last Day RAJ Group), Mr Shamsuddin Ahmed MBE (Regional Board
Member of Manchester and North West Region), Prof Abdul Hannan (Board
member of BBCC Manchester and
North West Region), Mr Abdul Ghani (Mabrook Perfume Co, Dubai) and
Mr Koysor Ahmed (MD Sylhet Welding UK Ltd, corporate member of BBCC
UK) & Md Rezwan Hussain, Channel S TV UK.
Dr Uddin arrives in Bangladesh on Wed 20th Feb and will depart
on 2nd March to return to UK, stopping off in Dubai where he will
meet with Consul-General A Hye and Bangladeshi Dubai Business representatives.
A fundraising dinner in aid of the Cyclone Sidr appeal will be
held in Edinburgh, Scotland on Fri 4th April at the prestigious
Ingliston Centre, aiming to raise £100,000 (stg), with
the aim of rebuilding a whole village (70 houses). Dr Uddin aims
to find that village on his visit to the Barguna District, which
will become the centre of the campaign in Scotland.
Dr Uddin is respected throughout Europe and Bangladesh as a successful
businessman, a community leader and an outstanding humanitarian.
He has been awarded many honours, including Young Scot of the Year,
since he moved to the UK in the 1970s, starting out in a relatives
restaurant. Many
years of hard work and study, combined with exceptional drive and
business acumen have resulted in a portfolio of successful restaurants
and business interests. This success in the business world has brought
recognition from many sides. In 1984 Dr Uddin was the first Bangladeshi
in Scotland to be
made a Justice of the Peace. In 1993 he was appointed as the first
Honorary Consul-General of Bangladesh in Scotland and in 1995 he
was made a Member of the British Empire for his services to race
relations. He is a Fellow of the Royal Society of Arts and, in 2003,
was included in Debretts People of Today.
Respected as a community leader in Scotland, Dr Uddin chairs the
Council for Bangladeshis in Scotland, was a founder of Edinburgh's
Central Mosque and is a director of the Shahjalal Mosque and Islamic
Centre. Dr Uddin is also Chairman of the Commonwealth Society of
Edinburgh and the Bangla Scot Foundation. He is a founding Director
of the Edinburgh Mela (the vibrant festival founded by Edinburgh's
South Asian communities) and the Edinburgh Bangladesh Samity and
was recently appointed Official Advisor to the Sylhet Foundation.
Dr Uddin's efforts have touched thousands of people over the years.
Following the disastrous cyclone in 1991, he was instrumental in
raising over £140,000 which was used to build a concrete cyclone
shelter and Baharchara-Ratnapur High School. In 1998 he was involved
in raising over
£220,000 to enable Onneyshan to oversee the construction of
a model village and training centre. Dr Uddin is Director and Chief
Co-ordinator of the Sylhet Women's Medical College and Hospital,
a Trustee of the Bangladesh Female Academy and an advisor to the
Atish Dipankar University
of Science & Technologies in Dhaka.
Web sites: www.drwaliuddin.co.uk
www.britanniaspice.co.uk
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Joint
fundraising iftar event in aid of the flood victims in Bangladesh
On Thursday 20th September, three organisations The BobNetwork,
BBPA and BritBangla held a joint fundraising iftar event in aid
of the flood victims in Bangladesh. The lively fundraiser was held
in Cafe Naz @ Corvina in London and was attended by 150 enthusiastic
young British Bangladeshis. The evening proved to be a great success
with dinner, an auction, raffle tickets and many generous donations.
Among the auctioned items were a copy of 'A-Z of Arranged Marriage'
autographed by the author Rekha Waheed, a collection of framed fabric
art by Shozna, and a collection of Arabic Calligraphy by Shumi Islam.
The hosts created a great buzz and with Café Naz's attentive
service and good food the spirits were high and the donations flowed
in. The chairman of The bobNetwork, Misbah Mosobbir was the auctioneer
and proved himself a dab hand on the night. His enthusiastic sales
tactics resulted
in healthy bidding from the audience.
By the end of the evening, young British-Bangladeshis proved themselves
to be generous and resourceful yet again with £5000 raised
for the British Red Cross. They continue to make a difference with
their contributions and exemplary efforts to support worthy causes.
Jasmine Choudhury, Solicitor said 'I enjoyed the iftar party as
it was good to see all three groups work together and work towards
the same goal' and Saiful Khan went further to say 'I thought the
auction was a great idea. Met lots of new people and it a very friendly
& generous crowd. A big well done to the team.'
Rebecca Payne of the British Red Cross commented 'On behalf of
the British Red Cross I'd like to thank The bobNetwork for organising
this fundraiser and raising the fantastic amount of £5000
for the Asia Floods Appeal, which will cover past, present and near
future flooding events in numerous countries throughout the continent,
including those currentlyaffected in Bangladesh. As we speak, the
International Red Cross and Red Crescent Movement are providing
emergency relief to all the affected
areas. Volunteers are delivering food, water, basic healthcare and
sanitation to millions of people who have lost everything in the
floods'
Big thanks to Saquat Ali, for making sure the groups came together
and the event went smoothly, 'Unique events' for the sponsorship
and of course the artists for their donations
For photos of the night, for information on BritBangla website
and forthcoming community events, please visit www.britbangla.net.
If you would like to donate to the British Red Cross for the flood
appeal, please visit http://www.redcross.org.uk
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Shahin Badar
'Glory of Indai Award Winner'
21 July 2007
Shahin Badar,whose enchanting indian vocals featured on the prodigy's
controversial single "smack my bitch up" had a lot to
be happy about as on Saturday 21st of july, singer songwriter composer,
Shahin, was awarded the prestigious Glory of India award by the
India International Friendship Society (IIFS)at the noted Crowne
Plaza Hotel,.
She spent her youth growing up in Colchester, Kuwait and India
learning to sing in several languages.
Shahin has a profile of international work that continues to grow.
This work includes vocal inclusions in over 40 soundtracks which
include strong female TV, film and advert characters such as Nikita,
Lara Croft, Scottish Widows and Charlie's Angels.
She has appeared on 3 UK No.1 albums, two of which were grammy
nominated, collaborated with top composers such as A.R Rahman and
many upcoming acts.
She endorsed many charitable causes such as the NSPCC, RNID (UK's
biggest charity), flood appeals, headlined the UK's biggest one
day carnival, Redbridge's first Asian music festival, launched London's
first Children's Hospice's Children's week for the Richard House
trust, worked on the UK's first
electronica album to hit the No.1 spot on the Billboard charts and
many more impressive profile pointers.
Although not able to pick up the award herself, Shahin was delighted
to hold the award in her hand and beam 'Women in the music industry,
in fact, in most industries do not always receive the recognition
that they should for their work and even when they have, they often
have to do that much more to be accepted and recognised.This award
is an honour for me because it serves as
recognition of my music and that of other women and this will go
with my Channel S TV award for contribution to the community which
I picked up last year'
Signed to Times Music in India, Shahin's current album is due for
full release in uk soon and is entitled " Laila".
Among the previous recipients of the coveted award include Bollywood
actor and film producer Dev Anand.
India international Friendship Society is a voluntary organization
established to forge greater unity and integrity among the people
of Indian origin living anywhere in the world and presents the awards
to individuals who have attained excellence in their respective
field of work.
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Girls Orphanage in Bangladesh - BritBangla
Fundraiser
Taryn Khanam
17th January 2007
Here's an update and feedback to those who kindly supported the
BritBangla fundraiser way back in May 2004.
I recently returned from Bangladesh and visited the Rainagor Girls
Orphanage in Sylhet, and share wiht you some photos and an account
of my visit:
When I walked into the orphanage the little girls immediately stopped
playing, seeing me as a stranger they started to hide away with
some running inside for cover. I could hear the girls whispering
and huddling up in a group, obviously not used to outsiders. It
took a few moments to
gain their trust and to engage them in small conversation. They
looked on me with curiosity and I stupidly asked it they remembered
me from my last visit (2 years ago), as if they would! The youngest
is 'Nishi', a 5 year old, who cried for months when she first arrived
there and still looked sad. Seeing the girls, I felt upset and especially
guilty, as I was lucky to have my mum who was also with me at the
time of the visit. I noticed that the kids obviously look after
each other, and there is an amazing
spirit of sisterhood amongst them, which I was happy to see.
Project details:
Charity project: December 2004 - March 2007
Funds: £2000 spent on computer, 50 mattresses, books/pens,
3 teachers - Maths, English and sewing
Project Success:
The project was successful and this year five girls received all
Grade As and Bs, due to the support provided for extra weekly tuition
classes for Maths and English. The sewing classes provide the kids
with a fallback plan when they leave the orphanage (at the age of
16) to support
themselves.
The lesson learned is that from a £2000 donation, which is
not very much at all, has made a difference as in a country such
as Bangladesh which proves that even us from here in UK can help
to improve lives of little people to give them a chance for a better
future to support themselves.
You may wish to see for yourself the orphanage if you are visiting
Bangladesh, please contact me.
Any donations would be very gratefully accepted or charity raffle
prizes from businesses or potential sponsors of a charity event
to continue fundraising for this good cause and make a difference
to these girls lives.
If anyone wants to know more please do contact me at taryn@britbangla.net
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Bangladesh
Rural Advancement Committee (BRAC)
Ishrat-Jahan Chowdhury
November 2006
Millions in Bangladesh have benefited from projects funded by BRAC.
Now, the BRAC brings it third world development success to UK.
BRAC is a well known NGO founded off the back of the liberation
war in 1972. It helped deal with the devastating effects of the
armed struggle and post independence era, with a particular commitment
to the rural poor who made up most of Bangladesh.
Throughout the years BRAC has run many programmes across Bangladesh.
Some of their most successful work has been in targeting mortality
reduction, microfinance enterprises, and various health programmes,
in reaching out to mothers, children, and slum communities. All
by applying a specifically gendered approach to their work.
BRAC implements a comprehensive development approach, with a number
of programmes for economic and social development of the people.
BRAC core programmes include four main ones: BRAC Economic Development
Programme, BRAC Social Development, Human Rights and Legal Education
Services Programme, BRAC Education Programme and BRAC Health Programme.
In the last 34 years, BRAC have achieved an enormous amount in
terms of development. Their programmes contribute a significant
amount towards achieving the target millennium development goals,
and they have even used their own post-war / disaster experiences
to extend their work into Afghanistan from 1992, and more recently
with the Tsunami relief programs. An impressive 80% of costs are
also covered by their own initiatives
BRAC-UK: bringing third world development
success to UK
BRAC-UK is a new extension of their development work, while the
NGO are hoping to soon expand into Africa; they are also to pilot
a number of proposed projects in British communities, replicating
the model of social change in terms of reaching, empowering, and
educating women of underprivileged communities.
This innovative form of NGO work brings in third world development
successes to the ‘developed world’ as poverty alleviation work is
also much needed in the UK. Programmes are to initially begin in
East and North-West London. They will be drawing on the experiences
of Bangladeshi women of Tower Hamlets to work with women from the
Somali community.
BRAC-UK will also engage in advocacy work and provide a southern
voice to policy dialogue. Currently in its exciting new stages,
BRAC-UK is a small team filled with vision and equipped with years
of experience, who are looking to work at grassroots level here
within the UK.
If you may be able to help further the cause of BRAC-UK they are
currently looking for support in a number of areas. If you feel
you would like to contribute in any way, or to learn more, please
contact:
Email: sandrakabir@yahoo.co.uk
BRAC website for further information: http://www.brac.net/
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The
Woman Who Left the Village: The Inspirations Exhibtion
27 September 2006

Monsoon Press has combined writers and artists to come together
to inspire each other under its Inspirations Project so that pictures
and words can be inspired and created from each other. The main
aspect of the project has been to work with women and their feelings
towards the family. However during the course of various grassroots
workshops the discussion around family also interlinked with birth,
self-awareness, marriage, children and the emotions and politics
of the “FAMILY” This particular work with a poet, artist and women
of various backgrounds has been titled “THE WOMAN WHO LEFT THE VILLAGE”
One such example are the workshops Monsoon completed with Doorstep
Homeless Families Project with women to celebrate Family week in
creating pictures with an artist and writer of an event in their
family life that had left a mark in their lives. The writings include
poetry and have been linked with up and coming artist Aleya Khan’s
paintings and the emerging poet and writer Dina Begum.
“The Woman Who left the villages” also explores how women from
South East Asia leave their families to marry and come and live
in the Britain. Another element of the art, work and writing has
been to show how women have been the breadwinners of families in
the developing world through the art of embroidery and crafts. The
women portrayed in the paintings are similar to brides, which again
linked to the South Asian culture of the bride viewed as part of
the cycle of the family.
Through the work with women both at the homeless project and Monsoon’s
writers group the view emerged that the family was the core unit
that held society together. However the family was not just made
up of the immediate family of parents and children but of the extended
family, which also included friends and neighbours. Even the immediate
family was not made up of a father and mother but of various structures
such as the older sibling looking after a whole family. Many Bangladeshi
women felt that the west had only just discovered that family was
not made up of the nuclear family and that the primary care givers
could begin from the grandparents, aunts, uncles and to the nursing
maid. It was agreed that family was global and it was this that
brought the world together.
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The
raw picturesque beauty of Bangladesh
Ishrat-Jahan Chowdhury
10 September 2006
So I returned to Bangladesh in the summer to find it as colourful
as ever, and during the month that passed, I managed to see a few
more of the sights I missed on the last trip. There really is so
much culture and history; it’s just a shame that although tourism
is clearly on the government’s agenda, the full potential for investment
and development of such amazing sites has yet to be fully explored.
Visually, the country is very similar to Sri Lanka, I found myself
comparing the lakes, hills, general scenic beauty as I did over
there.
Passing through the streets in Dhaka, the capital of Bangladesh;
there are so many reminders of the independence struggle, not just
the official memorials but stunning pictures, murals, statues, and
sculptures splattered everywhere. Though the ideologies behind the
birth of this nation seem (to some extent) be fading with its city
people, at least its alive in an artistic sense and on a street-level
at that.
I have always enjoyed travelling between the two largest cities
in Bangladesh. The breathtakingly beautiful route from Dhaka to
Chittagong is around a five-hour drive down this one straight road.
At parts there are huge trees that reach out from the sides and
meet over you and every so often, there are small paths that lead
off into separate villages, you see kids running back and forth
bathing in lakes, laughing as they play. Once you leave Dhaka, on
either side there are fields of jute and dhan (paddy fields) that
stretch out as far as you can see with different shades of green
so rich and vibrant, the whole path is just so unbelievably soul-settling.
Rangamati is also beautiful, it is part of the Chittagon Hill tracks
area (CHT) where a number of tribal (minority) groups have managed
to preserve their ways of living. The views are stunning and the
entire area just seemed so untouched and far away.

Breathtaking views of Rangamati

I also managed to return to the coastal area of Pathenga, that I
fell in love with last time I went, it is actually just a port area
where the locals might fish, and ships come in or parts are broken,
but there is a long area where these huge blocks have been placed
for the tide, and behind these there are small markets and food
stalls. Around sunset, from these stalls you hear the harmonious
sounds of traditional Bengali folk music in the distance, in with
that of the sea and groups of people laughing and enjoying themselves.
It was here I also managed to look up at the sky to see the sun
going down, and then turn around to see the moon, glowing in another
area of the sky at the same time! Absolutely amazing!

On another day, we took a boat out across the Jamuna (Bhramaputra)
river which also reaches parts of India, China and Tibet. The Jamuna
bridge goes on for miles out from the district of Sirajganj to that
of Tangail and can also boast some great views.
Jamuna Bridge over Bramaputra River

I really do find Bangladesh as one of the most prettiest countries
I have ever visited, and for anyone considering a trip, though the
temperatures can be madness, especially during the summer, and the
roads utter chaos, the hectic pace of the cities is easily balanced
out by the friendly nature of the people, the many fascinating tales
of how this culture has developed and fought for its recognition,
not to mention the raw picturesque beauty. An adventure most truly
awaits you!
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Shahin
Badar - Tours Lebanon and Germany
06 August 2006
After successfully working with The prodigy on their three number
one selling albums, including the album ‘Always Outnumbered Never
Outgunned’ on the track 'Get up Get off' that featured the vocals
of Shahin, Twista and Juliet Lewis. Shahin Badar has recently returned
from Beirut (just few weeks before the Middle East war broke out),
Lebanon performing at the 50 cent concert with the Lebanese award
winning act Guy Manoukian at the biel. They were the opening act
and performed to a crowd of 15-20,000 people. Shahin is flying out
to Germany this weekend to perform at the Stinnen festival with
Merchan Dede,a well known turkish producer and will be headlining
the show.
The beautifully shot video to her spiritual track ‘Light at the
end of the tunnel’ produced by Jazz and written and composed by
Shahin is due to be aired in all the Asian channel's before Ramadaan
in September 2006.The lyrics for Melody Voice are very deep, touching
and powerful with a strong/loving message that Shahin hope will
hopes will captivate the audience.
In India, her track "Punjab Di Rani" is out on a compilation
album that is called Vibes 3 by the Times music.
Shahin plans to release her new album next year, early 2007.
Photo: Shahin Badar with Guy Manoukin at 50 cents concert,
Lebanon 10th July 2006
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BritBangla Celebrates Book
Success
15 May 2006
On Sunday 30th April, BritBangla members gathered at Bhangra Beat
Indian Restaurant, Covent Garden, London, to celebrate the book
success of its members, Rekha Waheed, Sanchita Islam, Abdul Ahad
and Rabina Khan. BritBangla brings together professionals and entrepreneurs
to celebrate its members successes; and provides a forum to support
and encourage each other with their careers and businesses.
Rekha Waheed's novel ‘A-Z Guide to
Arranged Marriage’ was published last year. Sanchita Islam’s books
include ‘From Briarwood to Barishal to Brick lane‘, ‘Hidden’ and
‘Connecting Kids’. Sanchita is currently writing her new novel called
‘Gungi Blues’ and Penguin are interested in publishing the book.
Rabina Khan's ‘Ayesha’s Rainbow’ will be launched in September 2006.
Science fiction author Abdul Ahad, a respected astronomer, secured
an American Publisher for his book entitled ‘First Ark to Alpha
Centauri’ and he is working on his next novel ‘The True Price of
Immortality'. The event provided inspiration to budding writers
and highlighted the difficulties experienced by ethnic minority
writers in finding publishers.
BritBangla was established to highlight the achievements made by
the British Bengalis and profile that to the mainstream. Encouragement
from Blue Peter presenter and BritBangla honorary member Konnie
Huq, propels BritBangla forward. Taryn Khanam, BritBangla founder,
says, "There is a huge amount of talent from within the Bengali
community, much of it goes unrecognised; so it is important to profile
and share our success stories to inspire others".
Abdul Ahad
Abdul Ahad's novel ‘First Ark to Alpha Centauri’ about the launch
of the Centauri Princess from Earth in the late 23rd century and
its journey on a multi-generational voyage to New Earth, a planet
located in the solar system called Alpha Centauri. Abdul, a UK-based
science fiction author with a background in Astronomy and the Space
Sciences, is now writing his second, follow-up novel 'The True Price
of Immortality', which is a continuing story in the epic First Ark
series and seeking a publisher for his book. In July 2004, he became
the first person in scientific history to define a mean radius around
the Sun, where its light dominion comes to an end (the 'Ahad radius').
Book available to buy from www.amazon.co.uk.
Rekha Waheed
Rekha Waheed’s novel ‘A-Z Guide to Arranged Marriage’ is about Maya
Malik a 28-year-old single lonely aging Asian girl who wants a gorgeous
husband and a grand ostentatious wedding. The A-Z Guide to Arranged
Marriages celebrates the realities of an age-old tradition for the
new generation. Book available from Eastide Bookshop and www.amazon.co.uk
Sanchita Islam
Sanchita Islam, is an artist, filmmaker and a writer, has published
books that include ‘Old Meets Young’, ‘Hidden’ and 'Avenues'. Where
is home? A question that led London-based writer to Bangladesh,
then to New York and ultimately to her film, publishing and art
project taking place across three continents, ‘From Briarwood to
Barishal to Brick Lane’ . The anthology comprises the writing of
Bangladeshis living in London, New York and Bangladesh. The idea
is to bring their voices together in one cohesive anthology that
reflects the diversity of experience within the diaspora.
Sanchita heads Pigment Explosion, a company that specialises in
live art and international art projects. Sanchita's projects received
grants from the British Council and The Arts Council. Her books
are available from Sketch at Conduit St, Whitechapel Art Gallery
and Eastside bookshop.
Rabina Khan
Rabina Khan’s novel ‘Ayesha’s Rainbow’ is set in the East End of
London during times of racial tension, a little Asian girl 'Ayesha'
befriends 'Mrs. Peters' the mother of a neo-fascist living next
door and a whole plethora of intrigue, plots and tragedy ensues.
Racism, deceit, trauma and a glimmer of hope are among the elements
portrayed in a masterful and potent work, which though entirely
fictional, will challenge both British and Asian readers to take
a long hard look at themselves in the new millennium. The novel
is currently being reviewed by Rageh Omaar, Simon Hattenstone (The
Guardian), Roberta Taylor (The Bill drama series and the author
of Too Many Mothers; Memoirs of an East End Childhood) and Anila
Baig from the Sun Newspaper. The book will be launched in July 2006.
Contact for media enquiries: E-mail: britbangla@britangla.net
BOOK COMPETION - WIN COPIES
OF THE ABOVE BOOKS
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Bangladesh
opens its doors to UK investors
31
May 2006
Floods and famine were the images that once sprung to mind whenever
Bangladesh was mentioned. With political instability and corruption
the country’s potential was grossly undermined. But the economic
and social infrastructure of Bangladesh has improved dramatically.
Now it is a country bursting with promise. For foreign investors
it’s a ripe time to see potential in the country’s growing sector
for healthcare and education and its information technology market.
BritBangla is supporting the Bangladesh British Chamber of Commerce
(BBCC) which is aiming to encourage British investors to see the
potential in Bangladesh. It is actively working to disseminate information
to the British Bangladeshi community in the UK and also to the wider
British population.
Last year, the BBCC held a highly successful trade fair, Expo Bangladesh
2005, showcasing the achievements of 80 companies. With more than
10,000 visitors, the Expo proved hugely popular and for the various
investors at the Expo around £14 million pounds of business
was generated.
The BBCC is working to help new investors with joint ventures,
training, research and development opportunities and to encourage
trading between traders in Bangladesh, the UK, Western Europe and
the USA.
Arif Zaman, advisor to the Commonwealth Business Council in South
Asia said: “In the next ten years South Asian countries will be
where the international companies will want to invest and Bangladesh
will be one of them.”
Forty percent of the underprivileged population live in South Asia.
However, the largest middle class population is concentrated in
Bangladesh and Pakistan and it is these areas that are associated
with high profit margins for investors. Traders have been astute
in making profits in these areas but the local populations have
not always benefited from new business.
It is important for South Asian countries to find better ways of
transferring skills and experience back to the local population
and learn from working with international companies. Links with
international communities is vital for Bangladesh to progress further.
The BBCC is the crucial link for UK businesses to communicate and
ultimately trade with businesses in Bangladesh and helping the country
to rebuild economically.
Opportunities exist in areas unheard of before now. Doctors can
take their skills to Bangladesh to improve healthcare, teachers
can work in schools or set up private schools and there is a wealth
of information technology potential just waiting to be untapped.
Mr Iqbal Ahmed, chief executive of Seamark, said: “the time is
now for investors to take advantage of the opportunities available,”
and further went on to explain the numerous tax incentives for companies
who plan to invest in Bangladesh.
For professional advice on the financial and legal aspects of trading
in Bangladesh please contact Dr Wali Taser Uddin, Chairman of BBCC
at info@bbcc.org.uk.
As part of the BBCC’s campaigning initiative, BritBangla together
with BBCC will provide the opportunity to attend seminars and meet
some of the successful business executives, such as Mr Iqbal Ahmed
and Mr Shelim Hussain of Eurofoods who have established companies
in Bangladesh.
Please email your views on this article to britbangla@britbangla.net
or go to the BritBangla Forum at www.britbangla.net/forum.
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